jaya kishori bhajan kasme vaade pyaar wafa

Raj Khosla's direction definitely shines throughout the movie, one example being when Rakesh thinks of something that will help him win the case (almost towards the end of the movie) while at his house, and the camera focuses on his confident, focussed, thinking face and slowly moves to his reflection on three adjacent mirrors separately (at his dressing table) to serve as a bookmark to go into a flashback scene, only to later come out of the flashback in the reverse manner. The screenplay is indeed clever, showing only that much of the past that would be required for the audience to know when the two individuals fight out their case in the courtroom.

Raj Khosla is excellent in carrying the story forward at a good pace, especially because a lot of the suspense revolved around events in the couple's life, so there had to be a balance of showing some scenes of the past (mostly cute and realistic romantic scenes), give a stronger hold of the characters to the audience and also, on the other hand, not spend so much time on the past that would make the audiences lose their edge-of-the-seat thrill. and claiming to be the Thakur's wife! What follows is an immensely gripping courtroom drama - is this dacoit indeed the wife of Thakur Rakesh Singh or not? Rakesh on one hand fighting for his cause saying this woman cannot be his wife as he saw his wife die in front of him and the dacoit Raina, on the other, claiming to be Rakesh's wife and fighting for it!Īn unusual tale, this one has all the makings of a great thriller. A police inspector comes to meet Rakesh to inform him that three dacoits were caught the previous day one of them being a female, a look-alike of his late wife. The opening credits begin and post that, we see a very depressed Rakesh, not able to get over the loss of his beloved wife. Thakur Rakesh Singh ( Sunil Dutt) flies back only to find his wife dead. Not giving much of the story away, the film opens with a room in a big mansion ( Lake Palace maybe, but not sure) in Udaipur where Geeta ( Sadhana) is lying extremely sick in the company of her husband's mausi and servants and the doctor asks to immediately call her husband, a lawyer, who is abroad, as she may not have long to live. A Hitchcockian thriller right from start to finish, this is a movie even Hitchcock would have been proud of. In between the very popular classic Woh Kaun Thi and in my opinion, an average Anita, came possibly the best of this trilogy - Mera Saaya, in the year 1966. His best would really be seen in the mid-60s though, through his famous 'Mystery Girl' trilogy starring Sadhana. With successes like C.I.D, Bombai Ka Babu and Ek Musafir Ek Hasina to his credit, Raj Khosla had certainly achieved a name for himself in the thriller genre.

Jaya kishori bhajan kasme vaade pyaar wafa